![MOOER GE100 Guitar Multi effects Processor Effect Pedal with Loop Recording(180 Seconds) Tuning Tap Tempo Rhythm Setting Scale|Guitar Parts & Accessories| - AliExpress MOOER GE100 Guitar Multi effects Processor Effect Pedal with Loop Recording(180 Seconds) Tuning Tap Tempo Rhythm Setting Scale|Guitar Parts & Accessories| - AliExpress](https://ae01.alicdn.com/kf/H982a8dc05cc54ca288062d23534d274fr/MOOER-GE100-Guitar-Multi-effects-Processor-Effect-Pedal-with-Loop-Recording-180-Seconds-Tuning-Tap-Tempo.jpg)
MOOER GE100 Guitar Multi effects Processor Effect Pedal with Loop Recording(180 Seconds) Tuning Tap Tempo Rhythm Setting Scale|Guitar Parts & Accessories| - AliExpress
![Harmony : a course of study . ^P=^ p^P^P^pfP 7=^Z = ft=r- 9: ggg 3^ S3 33 te± 202 HARMONY.. ^^Jl *tJ—Mz :§ lib—* 5 5«s4- r r i p ff^p - Harmony : a course of study . ^P=^ p^P^P^pfP 7=^Z = ft=r- 9: ggg 3^ S3 33 te± 202 HARMONY.. ^^Jl *tJ—Mz :§ lib—* 5 5«s4- r r i p ff^p -](https://c8.alamy.com/comp/2CHR6WT/harmony-a-course-of-study-p=-ppppfp-7=z-=-ft=r-9-ggg-3-s3-33-te-202-harmony-jl-tjmz-lib-5-5s4-r-r-i-p-ffp-pi-yffl-s-or-on-the-tonic-to-extend-and-elaborate-a-final-cadence-274-u-bach-m-=h-=0-7for-ii-w-iu-j-j-a-2-tzz-in-this-example-the-pedal-point-is-in-both-the-upper-and-lowervoices-the-sustained-tone-is-used-occasionally-on-other-degrees-of-thescale-and-sometimes-on-both-tonic-and-dominant-at-once-275-eseees-!-!-etc-95-s====sa-s-3-tsh-i-numberless-examples-of-such-passages-are-to-be-found-especiallyin-works-of-a-pas-2CHR6WT.jpg)
Harmony : a course of study . ^P=^ p^P^P^pfP 7=^Z = ft=r- 9: ggg 3^ S3 33 te± 202 HARMONY.. ^^Jl *tJ—Mz :§ lib—* 5 5«s4- r r i p ff^p -
![Harmony simplified, a practical introduction to composition . ne of the other parts. Generally it is the dominant or tonictone that is so held. It is immaterial whether the pedal pointbe held Harmony simplified, a practical introduction to composition . ne of the other parts. Generally it is the dominant or tonictone that is so held. It is immaterial whether the pedal pointbe held](https://c8.alamy.com/comp/2AWG2NF/harmony-simplified-a-practical-introduction-to-composition-ne-of-the-other-parts-generally-it-is-the-dominant-or-tonictone-that-is-so-held-it-is-immaterial-whether-the-pedal-pointbe-held-throughout-or-constantly-repeated-see-figure-151-a-and151-h-rule-16the-beginning-and-the-end-of-the-pedal-point-mustbe-a-part-of-the-harmony-figure-151-h-it-would-require-too-much-space-to-quote-many-illustrationsof-pedal-point-but-the-student-may-refer-to-any-or-all-of-the-fol-lowing-heuer-slumber-song-from-op-81-the-repeated-ai-chopin-berceuse-in-which-the-low-d1-of-the-bass-held-by-2AWG2NF.jpg)